This collection deals with immodest issues of femininity, contemporariness and utopia. The marble figures within these representations of surreal worlds confront one of the archetypes of femininity: the muse. The works confront stereotypical and limiting interpretations of femininity within contemporary culture, considered not as a barrier, but as challenge and a stimulus. The academic drawing is constrated by the color palette, the posture and setting of the figures portrayed, who convey a state of rebellion against the dogmatic notions of feminity that subsist today. The figures appear in motion, no longer defined by their marble status, while the imagery of laser beams and disco balls transmits a sense of urgency, almost a declaration of war enunciated from an angel's horn. The marble statues, no longer static and upright, acquire body, flesh and movement. The figures take ownership of their own physicality, evacuating the enfant from the femme. a catalyst for the liberation of femininity.